Other Scores Composers for Piano

Piano Score Composers

Albinoni – Sinfonia in G major-Si8- for piano

Score Composers
By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Tomaso Albinoni. Arranged by Santino Cara. Baroque. Score. 11 pages. Santino Cara. Published by Santino Cara.

“Symphony in G Major” Transcription for piano by Santino Cara from the opera Si 8 for 2 violins, violas and basso continuo by Tommaso Giovanni Albinoni (1671–1751)- Transcribed in Rome in 2013.

Molte delle composizioni di Albinoni furono sempre considerate al livello di altrettanto famosi musicisti contemporanei, come Corelli, Scarlatti e Vivaldi. Le sue dieci raccolte strumentali furono pubblicate con grande successo in Italia, ad Amsterdam e a Londra, riscuotendo notevole successo in numerose corti e famiglie nobili dell’Europa meridionale. A parte alcune opere strumentali datate 1735, poco si sa della vita e delle opere di Albinoni dopo la metà del 1720.Many of Albinoni’s compositions were always considered at the level of equally famous contemporary musicians, such as Corelli, Scarlatti and Vivaldi. His ten instrumental collections were published with great success in Italy, Amsterdam and London, enjoying considerable success in many courts and noble families of southern Europe. Apart from some instrumental works dated 1735, little is known of Albinoni’s life and works after the mid-1720s.

Piano Score Composers

Bach C.P.E – Six symphonies – Piano version

Symphony no.1 in G major H.657-Wq.182/1
Symphony no.2 in B flat major H.658 – Wq.182/2
Symphony no.3 in C major H.659 – Wq.182/3
Symphony no.4 in A major H.660 ; Wq.182/4
Symphony no.5 in B minor H.659 – Wq.182/3
Symphony no.6 in E major H.659 – Wq.182/3

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Bach Carl Philipp Emanuel. Arranged by Santino Cara. Classical. Score. 83 pages. Santino Cara. Published by Santino Cara.

Transcription for piano solo of “Six Symphonies” transcribed in Rome by Santino Cara in August 2001 from “Symphonies for Strings and Basso Continuo Wq.182” by Carl Philipp Emanuel Bach

Bach C.P.E. Symphony No.1 in G major – Piano version

Score Composers

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Bach Carl Philipp Emanuel. Arranged by Santino Cara. Baroque. Score. 14 pages. Santino Cara. Published by Santino Cara.

Transcription for piano solo of the Symphony No.1 in G major from the Symphony for String orchestra and Continuo H.657-Wq.182/1 by Carl Philipp Emanuel Bach. Transcribed in Rome by Santino Cara in July 2001.

Movements: 1. Allegro di molto 2. Poco adagio 3. Presto.

Bach C.P.E. Symphony No.2 in B-flat major – Piano version

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Bach Carl Philipp Emanuel. Arranged by Santino Cara. Baroque. Score. 16 pages. Santino Cara Published by Santino Cara.

Transcription for piano solo of the Symphony No.2 in B flat major from the Symphony for String orchestra and Continuo H.658 – Wq.182/2 by Carl Philipp Emanuel Bach. Transcribed in Rome by Santino Cara in July 2001.

Movements: 1. Allegro di molto 2. Poco adagio 3. Presto.

Bach C.P.E. Symphony No.3 in C major – Piano version

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Bach Carl Philipp Emanuel. Arranged by Santino Cara. Baroque. Score. 12 pages. Santino Cara. Published by Santino Cara.

Transcription for piano solo of the Symphony No.3 in C major from the Symphony for String orchestra and Continuo H.659 – Wq.182/3 by Carl Philipp Emanuel Bach. Transcribed in Rome by Santino Cara in October 2001.

Movements: 1. Allegro assai 2. Adagio 3. Allegretto.

Bach C.P.E. Symphony no.4 in A major – Piano version

Piano Score Composers

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Bach Carl Philipp Emanuel. Arranged by Santino Cara. Baroque. Score. 15 pages. Santino Cara. Published by Santino Cara.

Transcription for piano solo of the Symphony No.4 in A major from the Symphony for String orchestra and Continuo H.660 – Wq.182/4 by Carl Philipp Emanuel Bach. Transcribed in Rome by Santino Cara in July 2001.

Movements: 1. Allegro ma non troppo 2. Largo ed innocentemente 3. Allegro assai.

Bach C.P.E. Symphony No.5 in B minor – Piano version

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Bach Carl Philipp Emanuel. Arranged by Santino Cara. Baroque. Score. 13 pages. Santino Cara. Published by Santino Cara.

Transcription for piano solo of the Symphony No.4 in A major from the Symphony for String orchestra and Continuo H.661 – Wq.182/5 by Carl Philipp Emanuel Bach. Transcribed in Rome by Santino Cara in August 2001.

Movements: 1. Allegretto 2. Larghetto 3. Presto.

Bach C.P.E. Symphony no.6 in E major – Piano version

Piano

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Bach Carl Philipp Emanuel. Arranged by Santino Cara. Classical. Score. 11 pages. Santino Cara. Published by Santino Cara.

Transcription for piano solo of the Symphony No.6 in E major from the Symphony for String orchestra and Continuo H.662 – Wq.182/6 by Carl Philipp Emanuel Bach. Transcribed in Rome by Santino Cara in October 2001.

Movements: 1. Allegro di molto 2. Poco andante 3. Allegro spiritoso.

Sinfonie per Pianoforte di Bach C.P.E. Queste 6 sinfonie sono state trascritte a Roma nel 2001 da Santino Cara,
sviluppando le partiture per orchestra d’archi e basso continuo.
Symphonies for Piano by Bach C.P.E. These 6 symphonies were transcribed in Rome in 2001 by Santino Cara,
developing the scores for string orchestra and continuo.

Piano Score Composers

Chaminade – Thème varié – Op.89 – Harpischord or Piano version

By Santino Cara
Harpsichord/Piano – Digital Sheet Music
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Harpsichord/Piano. Composed by Cecile Chaminade. Arranged by Santino Cara. Romantic Period. Score. 7 pages. Santino Cara. Published by Santino Cara.

Complete score of “Theme and Variations Op.89” for Harpsichord or Piano. Composed in Paris in 1888 by Cécile Chaminade and dedicated to Mademoiselle Rose Depecker. Rewritten and elaborated in Rome in 2021 by Santino Cara.

Partitura completa di “Tema e Variazioni Op.89” per Clavicembalo o Pianoforte. Composto a Parigi nel 1888 da Chaminade Cécile e dedicato a Mademoiselle Rose Depecker. Riscritto ed elaborato a Roma nel 2021 da Santino Cara.
Chaminade, ottima compositrice francese, ritorneremo sicuramente a trascrivere le sue opere che sono tante e di vario genere. Altre future opere pianistiche di Cecile Chaminade saranno pubblicate in questa pagina.
Complete score of “Theme and Variations Op.89” for Harpsichord or Piano. Composed in Paris in 1888 by Cécile Chaminade and dedicated to Mademoiselle Rose Depecker. Rewritten and elaborated in Rome in 2021 by Santino Cara.
Chaminade, an excellent French composer, we will certainly return to transcribe her works which are many and of various genres. Other future piano works by Cecile Chaminade will be published on this page.

Piano Score Composers

Driffil – Toccata in F minor for Harpsichord or Piano

Piano Score

By Santino Cara
Harpsichord/Piano – Digital Sheet Music
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Harpsichord/Piano. Composed by William Ralph Driffil. Arranged by Santino Cara. Romantic Period. Score. 8 pages. Santino Cara. Published by Santino Cara.

Complete score of the” Toccata in F minor” for Harpsichord or Piano. Transcribed by Santino Cara from “Suite No.1 in F minor Op.14 for Organ” by William Ralph Driffil.

Piano Score Composers

Galuppi – Concerto No.1 to 4 in G minor for Piano

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Galuppi Baldassare. Arranged by Santino Cara. Baroque. Score. 7 pages. Santino Cara. Published by Santino Cara.

Concerto in G minor for Piano solo, adapted and transcribed by Santino Cara.

Movements; 1. Adagio, 2. Spiritoso, 3. Allegro

Dall’inizio del XVIII secolo Venezia era diventata la città di importantissimi compositori. Tomaso Albinoni, Antonio Vivaldi, Antonio Lotti, Alessandro e Benedetto Marcello, e tra questi Baldassare Galuppi detto Buranello perché nato nell’isola di Burano, a 10 chilometri da Venezia. Galuppi fu ai suoi tempi molto famoso per le sue opere, sia buffe che serie, per le sue opere sacre e per la sua musica per tastiera. Il suo stile melodico, elegante e flessibile si incontrò con la poetica di Goldoni: questa collaborazione segnò la nascita e la diffusione in tutta Europa (dopo il 1749) del dramma giocoso.Since the early 18th century, Venice had become the city of very important composers. Tomaso Albinoni, Antonio Vivaldi, Antonio Lotti, Alessandro and Benedetto Marcello, and among these Baldassare Galuppi known as Buranello because he was born on the island of Burano, 10 kilometers from Venice. Galuppi was in his time very famous for his works, both funny and serious, for his sacred works and for his keyboard music. His melodic, elegant and flexible style met with the poetics of Goldoni: this collaboration marked the birth and spread throughout Europe (after 1749) of playful drama.

Piano Score Composers

Jules Grison – Toccata in F major for Harpsichord (or Piano)

By Santino Cara
Harpsichord/Piano – Digital Sheet Music
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Harpsichord/Piano. Composed by Jules Grison. Arranged by Santino Cara. Classical. Score. 12 pages. Santino Cara . Published by Santino Cara.

Complete score of the “Toccata in F major” for Harpsichord or Piano. Composed for Organ by Jules Grison (1842-1896). Transcribed for Harpsichord by Santino Cara.

Movements: 1. Allegro (minore), Più calmo (maggiore), Tempo I°, Più calmo, Più mosso.

Piano Score Composers

Kreisler-Pugnani – Praeludium and Allegro – Harpsichord version

Piano Composers

By Santino Cara
Harpsichord/Piano – Digital Sheet Music
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Harpsichord/Piano. Composed by Fritz Kreisler. Arranged by Santino Cara. 20th Century. Score. 8 pages. Santino Cara . Published by Santino Cara.

Complete score of the “Praeludium and Allegro” for Harpsichord (or Piano) by Fritz Kreisler in style of Gaetano Pugnani. Transcribed for Harpsichord by Santino Cara from original version for Violin and Piano.

Piano Score Composers

Marcello – Oboe Concerto in D minor for Piano solo

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Alessandro Marcello. Arranged by Santino Cara. Baroque. Score. 17 pages. Santino Cara. Published by Santino Cara.

Complete score of the “Oboe Concerto in D minor” for Piano solo.
Composed in Venice in 1715 by Alessandro Marcello, No.2 of “12 Concertos at 5“. Transcribed in Rome in April 2014 by Santino Cara, from “Concerto No.2 in D minor for Oboe, Strings and Continuo S.Z799″

3 Movements: 1. Andante e Spiccato, 2. Adagio, 3. Presto.

Piano Score Composers

Marcello B.Concerto no.1 in D major – Piano version

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Benedetto Marcello. Arranged by Santino Cara. Baroque. Score. 9 pages. Santino Cara. Published by Santino Cara.

Transcription for piano of the “Concerto no.1 in D major“. From the opera No.1 “12 concertos for 2 violins, viola, cello and basso continuo” by Benedetto Marcello, published in Venice in 1708.” The concerto no.1 in D major was transcribed in Rome by Santino Cara in the month of September in the year 2000.

4 Movements: 1. Grave, 2. Allegro, 3. Largo, 4. Presto.

Piano Score Composers

Pergolesi GB – Flute concerto in G – Complete Piano version

Piano Score

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Pergolesi Giovanni Battista. Arranged by Santino Cara. Baroque. Score. 13 pages. Santino Cara. Published by Santino Cara.

Full piano transcription of the “Concerto in G major for flute, two violins and basso continuo” by Giovanni Battista Pergolesi. Transcribed by Santino Cara in Rome in May 2001

movements: 1° Allegro spiritoso, 2° Largo, 3° Presto

Grazie al suo talento, Pergolesi non dovette pagare la retta del conservatorio, poiché portò entrate all’istituto grazie ai concerti che tenne, prima come chierichetto, poi come violinista e capoparanza di uno dei gruppi orchestrali del conservatorio. (titolo che potrebbe essere associato all’attuale primo violino), nominato nel 1729.
Se in vita,
nonostante i numerosi riconoscimenti, la fama di Pergolesi fu quasi esclusivamente limitata all’ambiente musicale napoletano e romano, non deve stupire che questa figura di compositore ,
morto giovanissimo con una parabola artistica di soli cinque anni e tuttavia capace di lasciare una manciata di composizioni indimenticabili, seppe influenzare poeti e artisti che reinterpretarono la sua figura in chiave romantica nel corso dell’Ottocento.
Thanks to his talent, Pergolesi did not have to pay the tuition of the conservatory, since he brought income to the institute thanks to the concerts he gave, first as a choir boy, then as a violinist and capoparanza of one of the conservatory’s orchestral groups ( title that could be associated with the current first violin), appointed in 1729.
If in life, despite the numerous recognitions,
Pergolesi’s fame was almost exclusively limited to the Neapolitan and Roman musical environment, it should not be surprising that this figure of composer,
who died very young with an artistic parable of only five years and yet capable of leaving a handful of unforgettable compositions, was able to influence poets and artists who reinterpreted his figure in a romantic key during the nineteenth century.

Piano Score Composers

Porpora NA – Symphony No.1 in G major – Complete Piano version

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Porpora Nicola Antonio. Arranged by Santino Cara. Baroque. Score. 6 pages. Santino Cara. Published by Santino Cara.

Piano transcription of the Symphony no.1 in G major, from “6 chamber symphonies for Two Violins and Continuo Op.2” by Nicola Antonio Porpora. Dear transcribed by Santino in Rome in July of 2011.

Movements: 1. Adagio 2. Allegro 3. Air I. Meno mosso     Air II. Stesso tempo.

Piano Score Composers

Porpora NA – Symphony No.2 in C major – Complete Piano version

Composers

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Porpora Nicola Antonio. Arranged by Santino Cara. Baroque. Score. 9 pages. Santino Cara. Published by Santino Cara.

Piano version of the Symphony no.2 in C major for two violins and continuo from the “Six Symphonies da Camera” Op.2 by Nicola Porpora. Transcribed for piano solo in Rome in 2012 by Santino Cara

Movements: 1° Adagio 2° Allegro 3° Affettuoso 4° Allegro.

Porpora ha conservato le proprie partiture, interamente o parzialmente autografate. Lasciando l’Ospedaletto nel 1747, ad esempio, chiese e ottenne che tutte le opere ivi composte fossero copiate, per poter conservare gli originali (Arte e musica all’Ospedaletto, 1978, p. 60). Alla sua morte, la sua biblioteca andò dispersa: parte rimase a Napoli (oggi nel Conservatorio di S. Pietro a Majella), parte fu acquistata da Charles Compton, marchese di Northampton tramite il melomane e bibliofilo Gaspare Selvaggi (oggi a la British Library; vedi Fabris, 2015).Porpora kept his own scores, entirely or partially autographed. When leaving the Ospedaletto in 1747, for example, he asked and obtained that all the works he composed there be copied, so that he could keep the originals (Arte e musica all’Ospedaletto, 1978, p. 60). Upon his death, his library was dispersed: part of it remained in Naples (today in the Conservatory of S. Pietro a Majella), part of it was purchased by Charles Compton, marquis of Northampton through the melomaniac and bibliophile Gaspare Selvaggi (today in the British Library; see Fabris, 2015).

Piano Score Composers

Puccini – Manon Lescaut (Act3) Intermezzo – Solo Piano

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Puccini Giacomo. Arranged by Santino Cara. Opera. Score. 6 pages. Santino Cara. Published by Santino Cara.

“Intermezzo” transcribed for solo Piano by Santino Cara from third act of the “Manon Lescaut” of Giacomo Puccini.

Piano Score Composers

Reincken – Toccata in G major – Harpsichord or Piano

Score Composers

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Johann Adam Reincken. Arranged by Santino Cara. Baroque. Score. 10 pages. Santino Cara. Published by Santino Cara.

Complete score of the “Toccata in G major” transcribed for Harpsichord or piano in Rome in 2019 by Santino Cara, from “Complete Organ Works – Mov.4” by Johann Adam Reincken.

A single movement with: Andante – Poco allegro (fugato) – Calmo e scorrevole – Un pò vivace – Allegretto poco vivace a Giga – Allegro non molto.

Piano Score Composers

Reincken – Fugue in G minor for Harpsichord or Piano

By Santino Cara
Harpsichord/Piano – Digital Sheet Music
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Harpsichord/Piano. Composed by Johann Adam Reincken. Arranged by Santino Cara. Baroque. Score. 7 pages. Santino Cara. Published by Santino Cara.

Fugue in G minor for Harpsichord or Piano. Transcribed by Santino Cara from “Complete Organ Works – Mov.3” by Johann Adam Reincken.

Allegretto ma non molto.

Piano Score Composers

Rossini-La gazza ladra-Ouverture-Solo piano

Piano Composers

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Rossini Gioacchino. Arranged by Santino Cara. Opera. Score. 11 pages. Santino Cara. Published by Santino Cara.

Transcription for solo piano of the “Ouverture” from “La gazza ladra” melodramma in two acts by Gioacchino Rossini.

Piano Score Composers

Five Sonatas for piano by Domenico Scarlatti – Complete Scores

Difficulty of execution medium.

1. D minor K 1 – Allegro
2. D major K 430 – Non presto
3. D minor K 41 – Andante moderato
4. D minor K 9 – Moderato
5. D major K 214 – Allegro vivo

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Arranged by Santino Cara. Baroque. Score. 20 pages. Santino Cara. Published by Santino Cara.

Arrangement of five sonatas by Domenico Scarlatti Transcriptions for piano by Santino Cara, performed in Rome in March 2014

Domenico Scarlatti di scuola napoletana, figlio del grande Alessandro Scarlatti, divenne famoso soprattutto per le sue 555 sonate, poche delle quali pubblicate quando era ancora in vita, furono stampate in modo non sistematico nei due secoli e mezzo successivi. Scarlatti attirò però l’attenzione di importanti estimatori, tra cui Bach, Händel, Clementi, ecc. In questi brevi brani, generalmente costituiti da un unico movimento bipartito, Scarlatti si dimostrò pioniere di tecniche per tastiera nuove per il suo tempo, come come arpeggi, note battute con agilità, incroci di mani, ottave spezzate e battute, note doppie: tutte difficoltà tecniche da padroneggiare progressivamente, man mano che il compositore svela le potenzialità timbriche, melodiche e ritmiche della sua scrittura ricca e articolata. È proprio l’attività clavicembalistica, più che quella teatrale, a costituire la più grande eredità del musicista napoletano, e ciò è dimostrato anche dal peso attribuito ad essa dalla tradizione didattica non solo del clavicembalo, ma anche del pianoforte.
Domenico Scarlatti of the Neapolitan school, son of the great Alessandro Scarlatti, became famous above all for his 555 sonatas, few of which published when he was still alive, were printed in an unsystematic way in the following two and a half centuries. Scarlatti, however, attracted the attention of important admirers, including Bach, Handel, Clementi, etc. In these short pieces, generally consisting of a single bipartite movement, Scarlatti proved to be a pioneer of keyboard techniques that were new for his time, such as arpeggios, notes struck in agility, crossings of the hands, broken and struck octaves, double notes: all technical difficulties to be master progressively, as the composer gradually reveals the timbric, melodic and rhythmic potential of his rich and articulated writing. It is precisely his harpsichord work, rather than his theatrical work, that constitutes the greatest legacy of the Neapolitan musician, and this is also demonstrated by the weight attributed to it by the didactic tradition of not only harpsichord, but also piano.

Piano Score Composers

Stradella A – Symphony in A minor – Piano version

Score Composers

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Stradella Alessandro. Arranged by Santino Cara. Baroque. Score. 5 pages. Santino Cara. Published by Santino Cara.

Complete score of the transcription for piano solo of the “Symphony in A minor for two violins and violoncello(continuo) by Alessandro Stradella. Transcribed in Rome in 2011 by Santino Cara.

Movements: 1° Andantino mosso 2° Andante comodo 3° Allegro risoluto 4° Allegro corrente.

Piano Score Composers

Stradella A – Symphony in F major – Piano version

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Stradella Alessandro. Arranged by Santino Cara. Baroque. Score. 4 pages. Santino Cara. Published by Santino Cara.

Complete score of the transcription for piano solo of the “Symphony in F major for two violins and violoncello(continuo) by Alessandro Stradella. Transcribed in Rome in 2011 by Santino Cara.

Movements: 1° Andante comodo and Vivo 2° Andante 3° Allegro spiccato 4° Allegro giusto.

Di Alessandro Stradella non sappiamo molto della sua vita e delle sue opere, anche se le ricerche indicano che nacque a Bologna intorno al 1643, e che di lui si ebbe notizia durante le messe in scena delle sue opere in varie città italiane, Roma, Venezia, Genova. Ha scritto almeno 7 opere, numerose cantate e oratori. Compose anche 27 brani strumentali, principalmente per archi e basso continuo, generalmente sotto forma di sonate da chiesa. Stradella fu tra i primi compositori ad utilizzare la tecnica orchestrale del concerto Grosso (contrasto tra concertino e tutti) che utilizzò sia nell’orchestrazione di arie di oratori, opere e cantate, sia in brani strumentali,
come, ad esempio, in una delle sue sonate per viola.
We don’t know much about Alessandro Stradella about his life and works, although research indicates that he was born in Bologna around 1643, and that he was heard from during the staging of his works in various Italian cities, Rome, Venice, Genoa. He wrote at least 7 operas, numerous cantatas and oratorios. He also composed 27 instrumental pieces, mostly for strings and continuous bass, generally in the form of church sonatas. Stradella was among the first composers to use the orchestration technique of the concerto Grosso (contrast between concertino and tutti) which he used both in the orchestration of arias of oratorios, operas and cantatas, and in instrumental pieces, as, for example, in one of his Viola sonatas.

Piano Score Composers

Verdi-La Traviata(Act1) Preludio-Introduzione-Brindisi – Solo piano

Piano Score Composers

By Santino Cara
Piano solo – Digital Sheet Music
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Piano solo. Composed by Verdi Giuseppe. Arranged by Santino Cara. Opera. Score. 14 pages. Santino Cara. Published by Santino Cara.

Transcription for piano solo from the first act of: “La Traviata” by Giuseppe Verdi, of the Preludio, Introduzione and Brindisi (Libiamo ne’ lieti calici) with text for tenor(Alfredo) and soprano(Violetta).

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Piano Score Composers

Piano scores composers
Bach J.S   Beethoven  Händel  Mendelssohn   Mozart   Paradisi   Platti   Scarlatti  Schubert Schumann Telemann  Vivaldi

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